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'Group Show' by Joshua Abelow at Real Pain Fine Arts, Los Angeles

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Do Beavis and Butthead foreshadow the existence of Donald Trump the way, say, Ubu Roi prefigures the existence of Philip Guston’s Nixon? Or maybe they are all one and the same thing, variations on a theme, (slightly) different incarnations of the same monster? I remember being seized by a stark existential dread when first encountering Beavis and Butthead on MTV. It had less to do with the thought, “So it has come to this,” than with the bewildering lack of surprise occasioned by their advent in the world. They seemed somehow inevitable, of the order of fate, a curse–ancient, Greek, and yet, inscrutable, like an abstraction. The inverse of hubris, they effortlessly sought to remind me of my basest instincts, my meanest, most un-celebratable self.

Every time I tune into the pettiness of Donald Trump, his colossal self-centeredness, I am reminded of not what a monster, but actually how human he is. Or if not human, then Id-like. Indeed, one could say that he is pure injured Id, ungoverned by any real coherent ego, and wholly ignorant of the remotest notion of super-ego. Not that a Freudian equation would necessarily remedy or justify his existence in the world, but, as much as I hate to admit it, he is definitely in me. Or I in him. And in all of us. Hence his timelessness. His parodic atemporality. For he is a parody. “Always already” a parody, this man, this spiritually squalid and abject crime of a human being, is always waiting to remind us that he is standing much closer to us than many of us are willing to admit. In fact, he is right there.

So is Beavis. And Butthead. 

— Chris Sharp

21.9.19 — 12.11.19

Real Pain Fine Arts

'UNDER THE CURSE', Group Show at KALI Gallery, Luzern

'The Accelerationists', Group Show at Projectspace Lokaal, Utrecht

'Œuvres Collectives & Insectes Sélectionnés' by New Scenario at after hours, Pari

'Lauka telpa' by Daiga Grantiņa at Art Museum RIGA BOURSE in collaboration with K

'Ava, Chloe, Blair, Nicole' by Connor Marie Stankard at Lubov, New York

'RE-WORKING VICTORY OVER THE SUN' by Erik Thörnqvist at Final Hot Desert, Bonnevi

'GROUP EGO DEATH YOGA AND MEDITATION' by Bora Akinciturk at Screw Gallery, Leeds

'Thundercage 31' by Matthias Odin and Valentin Begarin at Thunder Cage, Aubervill

'Brown Carpet' by Harley Kuyck-Cohen at Slugtown, Newcastle

'Big Pie' by Anna Taganzeva-Kobzeva at devyatnadtsat gallery, Moscow

'The Remains of Genetic Salon' by Bobby Yu Shuk Pui at Podium, Oslo

'Ultra-gentle manipulation of delicate structures' by Alicia Adamerovich at Proje

'Unfollow you, dark doom, honey' by Nika Temeeva at Spas Setun, Moscow

'NOCLIPLILT' by Rolf Nowotny 
at Simian
, Copenhagen

'Sombre Dimanche' by Julie Béna at Longtermhandstand, Budapest

'ANIMA MUNDI' by Gwen and Ernest Gachet at 13 Vitrine, Prilly

'Through Puberty to Success', Group Show at Shore, Vienna

'Ominous Tales of a Dreaming Wrinkle', Group Show at Scherben, Berlin

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