image text special shop

'The Hills Have Eyes', a Group Show by A.M.180 at Hotdock project space, Bratislava

article image; primary-color: #AEAEAE;
article image; primary-color: #8B9395;
article image; primary-color: #8B6D85;
article image; primary-color: #B1B1B1;
article image; primary-color: #A9A8A3;
article image; primary-color: #AFB0B2;
article image; primary-color: #92959C;
article image; primary-color: #939499;
article image; primary-color: #C2C6C9;
article image; primary-color: #B7BCC0;
article image; primary-color: #676765;
article image; primary-color: #B8BCBB;
article image; primary-color: #B1B3B2;
article image; primary-color: #999896;
article image; primary-color: #6A686B;
article image; primary-color: #6D636C;
article image; primary-color: #A0968A;
article image; primary-color: #7B8899;
article image; primary-color: #1B507A;
article image; primary-color: #C1C2C4;
article image; primary-color: #B9B8B6;
article image; primary-color: #B0B0B0;
article image; primary-color: #CFCFCF;
article image; primary-color: #82828C;
article image; primary-color: #77757A;
article image; primary-color: #B3B1B4;
article image; primary-color: #B5B5B7;
article image; primary-color: #96979B;
article image; primary-color: #D2CECB;
article image; primary-color: #B9ADB1;
article image; primary-color: #CCC9C4;
article image; primary-color: #B5B6B8;
article image; primary-color: #6D6E68;
article image; primary-color: #B6B1B5;
article image; primary-color: #CBC8C3;
article image; primary-color: #D1C7AE;
article image; primary-color: #838C95;
article image; primary-color: #51545B;
article image; primary-color: #8B8C90;
article image; primary-color: #575A69;
article image; primary-color: #647394;

She slowly opens her eyes and looks around, disoriented by the morning light. She then stands up, looking down into the expansive rock canyon. After a moment of hesitation, she takes her bike back up the hill.

I'm here to save you. (beat) The world is coming to an end Do you believe that the world is coming to an end? (long beat) No. (beat) That's stupid.

Scene 22

Setting In the faculty lounge. Every one is drinking water. The usual coffee isn't brewing. The custodian is bringing in dozens of large water dispensers. The cabinets once filled with files are now filled with hundreds of bottles of water.

In the empty school hallway... a gigantic tidal wave forms in the distance and comes crashing towards us between the lockers.

To avoid fainting. Keep repeating. It’s only a movie. Only a movie Only a movie Only a movie Only a movie Only a movie

23.2.19 — 13.3.19

Adrian Altman, Tomáš Bryscejn, Ondřej Doskočil, Sarah Dubná, Kristýna Fingerland, Jakub Hájek & František Hanousek, Jakub Choma, Valentýna Janů, Kateřina Miturová, Olbram Pavlíček, Adam Rada, Antonie Stanová

Curated by Jakub Hošek, Nik Timková

Galerie A.M.180

'Chatter 'round the pond', Group Show at Cantina, Aarhus

'Van Life' by Egon Van Herreweghe at Croxhapox, Gent

'WERKK.WERKK. LIVERPOOL.PAINTING.' by Victor Boullet at Lubov, New York

'CRUSH' by Artem Briukhov at CHIRKOV Gallery, Birsk

'Burn the Rain' by Troy Barrett at Smart Objects, Los Angeles

'KALON GLAZ' by Victoria Palacios at Panamax, Liège

'Bodiesbodies', Group Show Curated by Lucrezia Galeotti and Giacomo Pigliapoco at

'la fiebre de las formas', Group Show at Colette Mariana, Barcelona

'Sunsets', Group Show at Everybody, Tucson

'Bushels of Goodness and Warmth' by Jordan Derrien at V.O Curations, London

'Etica, Tecnica e Pathos' by Marco Strappato at The Gallery Apart, Rome

'200 km/h in the Wrong Lane' by Mona Filleul at SIS123, La Chaux-de-Fonds

'Come Hell or High Water' by Rosario Aninat and Simon Shim Sutcliffe at Mutter, A

'PCS: Post Concrete Semiotics' by Skygolpe at Nighttimestory, Los Angeles

'Wardrobing' by Mitchel Cumming at Disneyland Paris, Perth

'Ouverture', Off-Site Show by Karina Azizova, Moscow-Istanbul-Paris

'Millennium Approaches' by Cole Lu at Nir Altman, Munich

'Momenti della verità' by Giulio Paolini at Galleria Massimo Minini, Brescia

Next Page