image text special

'Homo Sapiens', a Group Show at DAS, Bologna

article image; primary-color: #C39F89;
Filippo Tappi, senza titolo, 2019
article image; primary-color: #DAB097;
Filippo Tappi, senza titolo, 2019
article image; primary-color: #E58F5C;
Filippo Tappi, senza titolo, 2019
article image; primary-color: #E19460;
Filippo Tappi, senza titolo, 2019
article image; primary-color: #BFB7AA;
Paul Barsch, Tilman Hornig, Immer müde und scheiss Wetter in New York, 2019
article image; primary-color: #CBC7C6;
Paul Barsch, Tilman Hornig, Immer müde und scheiss Wetter in New York, 2019
article image; primary-color: #CFCCC7;
Paul Barsch, Tilman Hornig, Immer müde und scheiss Wetter in New York, 2019
article image; primary-color: #CDC8C4;
Paul Barsch, Tilman Hornig, Immer müde und scheiss Wetter in New York, 2019
article image; primary-color: #B5AF99;
Paul Barsch, Tilman Hornig, Immer müde und scheiss Wetter in New York, 2019
article image; primary-color: #BBB1A5;
Paul Barsch, Tilman Hornig, Immer müde und scheiss Wetter in New York, 2019
article image; primary-color: #AAA9B7;
Paul Barsch, Tilman Hornig, Immer müde und scheiss Wetter in New York, 2019
article image; primary-color: #BFBEB9;
Paul Barsch, Tilman Hornig, Immer müde und scheiss Wetter in New York, 2019
article image; primary-color: #BDB296;
Paolo Bufalini, senza titolo, 2019
article image; primary-color: #B0A07C;
Paolo Bufalini, senza titolo, 2019
article image; primary-color: #6C6F74;
Paolo Bufalini, senza titolo, 2019
article image; primary-color: #7B7D7C;
Paolo Bufalini, senza titolo, 2019
article image; primary-color: #919392;
Filippo Tappi, senza titolo, 2019
article image; primary-color: #BFBBB8;
Paul Barsch, Tilman Hornig, Immer müde und scheiss Wetter in New York, 2019
article image; primary-color: #DADBDF;
Filippo Cecconi, swiffer, 2019
article image; primary-color: #D2CFCA;
Filippo Cecconi, swiffer, 2019
article image; primary-color: #D2D1D6;
Filippo Cecconi, swiffer, 2019
article image; primary-color: #E5E4E2;
Filippo Cecconi, swiffer, 2019
article image; primary-color: #DDDCDA;
Filippo Cecconi, swiffer, 2019
article image; primary-color: #D9DCE1;
Filippo Cecconi, swiffer, 2019
article image; primary-color: #D6CEB7;
Filippo Cecconi, Picasso, 2019
article image; primary-color: #D0C4AC;
Filippo Cecconi, Picasso, 2019
article image; primary-color: #CFD0CB;
Filippo Cecconi, Picasso, 2019
article image; primary-color: #C6C5C0;
Filippo Cecconi, swiffer, 2019
article image; primary-color: #D595A3;
Paul Barsch, Tilman Hornig, Immer müde und scheiss Wetter in New York, 2019
article image; primary-color: #CBC5B5;
Maarten Van Roy, senza titolo, 2019
article image; primary-color: #C4C1B8;
Maarten Van Roy, senza titolo, 2019
article image; primary-color: #CECDC8;
Maarten Van Roy, senza titolo, 2019
article image; primary-color: #D8D7D3;
Paul Barsch, Tilman Hornig, Immer müde und scheiss Wetter in New York, 2019
article image; primary-color: #BBB094;
Paolo Bufalini, senza titolo, 2019
article image; primary-color: #C2C4C3;
Filippo Cecconi, Venn, 2019
article image; primary-color: #C4C6D2;
Filippo Cecconi, Venn, 2019
article image; primary-color: #BABABC;
Paul Barsch, Tilman Hornig, Immer müde und scheiss Wetter in New York, 2019
article image; primary-color: #DDDCDA;
Paul Barsch, Tilman Hornig, Immer müde und scheiss Wetter in New York, 2019
article image; primary-color: #9C9C9E;
Filippo Tappi, senza titolo, 2019

Homo sapiens
reflects on and re-evaluates the current approach of man to reality. Homo Sapiens perhaps to remember that, throughout history, the elements and the paradigms of art remain unchanged; it’s only the connections between them that are constantly shifting.

Filippo Cecconi (Padova, 1994), Filippo Tappi (Cesena, 1985), Maarten Van Roy (Bonheiden, 1985), Paolo Bufalini (Roma, 1994), Paul Barsch (Karlsburg, 1982) and Tilman Hornig (Zittau, 1980), have different attitudes, but are united by their unsettling, wild and strategical approach. The objects exposed are like subjects or autonomous entities; daily life is reworked by the human mind, in different moods that oscillate between solemnity and cynicism, habit and innovation, spontaneity and artifice. Six different visions, gathered without the presumption to give labels or one singular interpretation, but to stimulate connections. A chance to think about perception, the sculptorial forms the object can take, the possibility to use the object itself as a vehicle for images or to intend it as a completely dematerialized and mental element. Homo Sapiens is an attempt to set together different spontaneous artistic attitudes, many ways of relating to reality.

— Davide Da Pieve

30.1.19

Filippo Cecconi, Filippo Tappi, Maarten Van Roy, Paolo Bufalini, Paul Barsch and Tilman Hornig

Curated by Davide Da Pieve

DAS

'Squeaky Beach' by Collective Disgrace (Ilana Winderickx, Sophie Conus, Pablo Rez

'Session N1 Distant touch' by Sasha Gosmant and Olesia Lavrinenko at Daipyat, Vor

'...schläft sich durch' by Elif Saydam at Kunstverein Harburger Bahnhof, Hamburg

'Flesh of Earth' by Suzanna Zak at Prairie, Chicago

Proudfoot & Piasecka (ft. Nima Séne, Ailie Ormston and William Darrell), ENSEMBLE

'Šedý girlandy' by Anka Helfert at Studio PRÁM, Prague

'Castles III' by Jesse Sullivan at apartment 13

'You Likey?' by Joe W. Speier at King’s Leap, New York

'À fleur de boue' by Cecilia Granara & Pierre Unal-Brunet at Double Séjour, Clich

'Fog Palace' by Philip Hinge & Club Superette (presented by Catbox Contemporary)

'Truth' by Alexey Zhuravlev at Gallery Victoria, Samara

'Siren Fort', Off-Site Group Show at Rozel Point Oil Field, Utah

'Glück für Sorgenkinder' by Isadora Vogt at Sentiment, Zurich

'Tales of Nursing' by Loren Kagny at eeeeh!, Nyon

'FRANKFURZ' by Niclas Riepshoff at Schwabinggrad, Munich

'KITA' by Dasha Kuznetsova at Fragment gallery, Moscow

'The Strongest Muscle in the Human Body is the Tongue' by Goda Palekaite at Edito

'look past this', Group Show at mcg21xoxo, Chiba

Next Page