image text special shop

'Primal_ditch_BP' by Hannah Stewart, Tea D. Strazicic and Lara Joy Evans at GMK, Zagreb

article image; primary-color: #030406;
article image; primary-color: #070F1A;
article image; primary-color: #12191F;
article image; primary-color: #2C4B5F;
article image; primary-color: #020403;
article image; primary-color: #050908;
article image; primary-color: #0B0D0A;
article image; primary-color: #060C1C;
article image; primary-color: #080B12;
article image; primary-color: #091724;
article image; primary-color: #051932;
article image; primary-color: #1F291E;
article image; primary-color: #10130C;
article image; primary-color: #0B100C;
article image; primary-color: #0A1215;
article image; primary-color: #503B26;
article image; primary-color: #13233A;
article image; primary-color: #071323;
article image; primary-color: #112C57;
article image; primary-color: #261A0E;
article image; primary-color: #22090D;
article image; primary-color: #110D0E;
article image; primary-color: #120606;
article image; primary-color: #150508;
article image; primary-color: #470F1A;
article image; primary-color: #23190D;
article image; primary-color: #444138;
article image; primary-color: #302C23;
article image; primary-color: #2D2920;
article image; primary-color: #191B18;
article image; primary-color: #BBBBBB;

An invisible protocol

The lore of traditional moist

Never written down or explained

Digged out from the soil

In Silence and respect 

Not using eyes 

But limbs of many amphibians

Pitch black, I can't see. My arms, extending outward from my body reach out for some possible obstacle. 

Nothing. 

An environment in a state of moist, muddy, media sauce, minor shifts in deep fantasy, floaters, unknowing, calcified spine, loud knowledge, first person shooter, expansion packs for software I steal or program myself with, fleshy artifacts, attempts at transcendence, murky collective sequences of transformation and evolution. 

Primal_ditch_BP (before present), a narrative set in a cave, parallels to the archaeological exploration of its uncharted terrain. Hannah Stewart, Tea D. Strazicic and Lara Joy Evans collectively present a documentary of this dark ecosystem and some of its various extracted artifacts.

I am here, still in a semi-blind poorly ventilated truth and I thought the seemingly bright light of new technology, further data extraction, and industrial fluorescents would have already lightened up at least parts of the depths of this cave. I was wrong. Even with continuous cartographical endeavors, this environment has remained mostly unexplored since the ritualistic cave dwellings of the Paleolithic era. Speculations of age have led me only to failed attempts at charting its pits. We may be much older and darker than we have proclaimed.

23.3.18 — 7.4.18

Camera / UE4 Design: Marta Stražičić (SwS)

Sound: Jody Raar

Curator: Lovro Japundžić

Photography: Karla Jurić

GMK

'THEIR VOLUMES, WORKS FROM THE CRISTELLA COLLECTION', Curated by Treti Galaxie at

'Soft Armor' by Garance Früh at In extenso, Clermont-Ferrand

'Of new monsters, Earth created more' by Olga Paramonova and Nika Peshekhonova at

'1000 Regrets' by Nicola Genovese at Lokal-int, Biel

'Fragrant Tissues', Group Show at beacon, Munich

'Like a Moth to a Flame' by Luca Florian at Atelier 35, Bucharest

'Social Agony Conscious Healing' by Jack Kennedy at Forth, Nottingham

'CELESTIAL POETICS', Group Show Curated by Liam Denny at Greenhouse Off-site, Mel

'GRAFT' by Amitai Romm at VEDA, Florence

'Terrapozzoli' by Martina Kügler at Mountains, Berlin

'Un perfume sin soporte, un gasto puro' by Marina Glez. Guerreiro and Raúl Lorenz

'Misty’s Tears', Off-Site Show by Gitte Maria Möller in Unitarian Church, Cape To

'Meditations on Entropy' by X Breidenbach at NIGHTTIMESTORY, Los Angeles

'Plague Expo Show', Group Project at Plague Office and Sasha Shardak's studio, Ka

'Re: Recover; Don't make angels dream of' by Yamamoto Shohei at Ritsuki Fujisaki

'Peel' by Stian Ådlandsvik at Van Etten Gallery, Oslo

'Figures of Speech', Group Show Curated by Dobroslawa Nowak and Nicola Nitido at

'Wet Wishes' by Laura Ní Fhlaibhín at Britta Rettberg, Munich

Next Page