image text special

'Flat Tire' by Janis Dzirnieks at Robert Fruinstraat 56, Rotterdam

In a basement a series of lamps works, found on the streets of Rotterdam, which the artist has altered to different degrees, act as attractors, inviting the viewers to circulate and gravitate around them. These are exhausted objects, in which the frigid halo of mass production has given way to the warmer, yet slightly putrid sense of familiarity and abandonment of second hand items. As humans and animals, we are biologically programmed to pay attention to light, yet we cannot stare at it directly for a long time, else we get dazzled. This is the sense in which these lamps act almost (perhaps mockingly) as paradigmatic art objects. Next to these are a series of wall works. Printed on a variety of media and covered in high gloss resin, these works begin their journey as screenshot from the almost bottomless cycle of pop ups and banners that load up, as if they came from a murky “nowhere,” in websites offering free content, such as movie streaming, torrents, or forums, each time different in their necrotic aphasia, in funereal dissonance with reality. Purposely stretched and mangled further through Photoshop’s algorithms, they turn into digital drips, glitches, abstract shapes, or color fileds, among which some figurative elements stay grotesquely recognizable.

— Marco Rizzardi

7.6.20 — 3.7.20

'The most weirdest things, make the most beautiful pictures' by Michael Bussell &

'Time Keepers' by Johanna Odersky at Intersticio, London

'Bliss' by Ellande Jaureguiberry at A.ROMY, Geneva

'
The Naked Girl Walking Backwards Like Crayfish' by Chloé Arrouy at NEVVEN ON SI

'Sloan' by Joseph Kusendila at Kantine, Brussels

'Grommets' by Rasmus Røhling at C.C.C., Copenhagen

'Goggelmoggel' by Lukas Schneider at Regatta 2, Dusseldorf

'Catacombs of Love' by Sylbee Kim at MÉLANGE, Cologne

'Kündigung' by Jannis Marwitz at Lucas Hirsch, Dusseldorf

'Fantasy Finery', a Group Show at Berlínskej model, Prague

'A curse in disguise' by Adam Cruces at Disneyland Paris, Melbourne

'Autonomia
' by Kaspars Groševs at Noass, Riga

'Bracket Sentiment And The Technicolor Yawn' by Sophie Serber at Shore, Vienna

‘Exception of (not) being’, Online Show Curated by Essenza Club and Rhizome Parki

'Energy Systems / 3: Safe in the Front End' by Joachim Coucke & Lasse Hieronymus

'Giantess' by Rose Dickson at Melanie Flood Projects, Portland

'Lieber Nackt Als Gefühlsleben' by David Ostrowski at JIR SANDEL, Copenhagen

'This Land is Your Land' by Andre Yvon at darkZone, New Jersey

Next Page