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'Ankle Biter' by Tarwuk, Anni Puolakka & Jaakko Pallasvuo at GMK, Zagreb

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Exhibition view
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Jaakko Pallasvuo, Anni Puolakka, TARWUK, SacreMonger, 2018
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Jaakko Pallasvuo, Anni Puolakka, TARWUK, SacreMonger, 2018
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Jaakko Pallasvuo, Anni Puolakka, TARWUK, SacreMonger, 2018
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TARWUK, Subtitles, 2018
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TARWUK, MRTISKLAAAH_ALAM_SFERA, 2018
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Željka Lovrić, Koviljka Lovrić, Ančica Čelig, Skulpturice, 2018
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Jaakko Pallasvuo, Anni Puolakka, SACRE3, 2018
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Jaakko Pallasvuo, Anni Puolakka, SACRE3, 2018
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TARWUK, KLOSKLAS_ČOGER_3d, 2017
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Exhibition view
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Anni Puolakka, 2018
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Jaakko Pallasvuo, Anni Puolakka, TARWUK, Ankle Biter, 2018 / Anni Puolakka, TARWUK, Ankle Biter, 2018
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Jaakko Pallasvuo, Anni Puolakka, TARWUK, Steiner’s Baby, 2018
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Anni Puolakka, 2018
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Jaakko Pallasvuo, Control Visit for Problematic Behaviour, 2018
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Exhibition view
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Jaakko Pallasvuo, Anni Puolakka, TARWUK, Ankle Biter, 2018
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TARWUK, Tout est pret. Au premier signal que vous nous enverrez de Trieste, tous se leveront en masse pour l'independence de la Hongrie. Xrzah, 2017
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Jaakko Pallasvuo, Anni Puolakka, TARWUK, Ankle Biter, 2018
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Jaakko Pallasvuo, Anni Puolakka, TARWUK, Ankle Biter, 2018
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Jaakko Pallasvuo, Anni Puolakka, TARWUK, Ankle Biter, 2018
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Jaakko Pallasvuo, Anni Puolakka, TARWUK, Ankle Biter, 2018
Nor can the darkness still the whispering in the trees. not measurable, but who already knows. “shows paranoid symptoms” plying the boats like lyres. not hearing me at all though they stood at the door during a reading Some vanished soon after. Laws of nature The trees are, the nights grow longer bit by bit, Still, it is as sad as a child Living concepts Free when obey self Discover self just after i said probably for her psychology class “this is a paranoid poem - written when i was experimenting with paranoid states of consciousness, but i’m not there anymore” so slowly nobody notices. Education of feelings Cognitive unity Feeling mysticism or on the shore beside the boats to whom one speaks soothingly, from whom one is keeping something, Others stayed. Best possible world Into the high ancestral spaces True individuality Pain outweighs pleasure This admits of endless interpretation. like in Milwaukee Some gave a sense of size, & a young girl sat writing This says nothing. Rejection of supernatural influences Purpose of life Absolute spiritual being.

20.12.18 — 19.1.19

GMK

'THEIR VOLUMES, WORKS FROM THE CRISTELLA COLLECTION', Curated by Treti Galaxie at

'Soft Armor' by Garance Früh at In extenso, Clermont-Ferrand

'Of new monsters, Earth created more' by Olga Paramonova and Nika Peshekhonova at

'1000 Regrets' by Nicola Genovese at Lokal-int, Biel

'Fragrant Tissues', Group Show at beacon, Munich

'Like a Moth to a Flame' by Luca Florian at Atelier 35, Bucharest

'Social Agony Conscious Healing' by Jack Kennedy at Forth, Nottingham

'CELESTIAL POETICS', Group Show Curated by Liam Denny at Greenhouse Off-site, Mel

'GRAFT' by Amitai Romm at VEDA, Florence

'Terrapozzoli' by Martina Kügler at Mountains, Berlin

'Un perfume sin soporte, un gasto puro' by Marina Glez. Guerreiro and Raúl Lorenz

'Misty’s Tears', Off-Site Show by Gitte Maria Möller in Unitarian Church, Cape To

'Meditations on Entropy' by X Breidenbach at NIGHTTIMESTORY, Los Angeles

'Plague Expo Show', Group Project at Plague Office and Sasha Shardak's studio, Ka

'Re: Recover; Don't make angels dream of' by Yamamoto Shohei at Ritsuki Fujisaki

'Peel' by Stian Ådlandsvik at Van Etten Gallery, Oslo

'Figures of Speech', Group Show Curated by Dobroslawa Nowak and Nicola Nitido at

'Wet Wishes' by Laura Ní Fhlaibhín at Britta Rettberg, Munich

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