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'Water Striders' by Monika Janulevičiūtė & Antanas Lučiūnas at Editorial, Vilnius

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Exhibition view
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Monika Janulevičiūtė & Antanas Lučiūnas, excerpt from The Great Outdoors, 2019
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Monika Janulevičiūtė & Antanas Lučiūnas, excerpt from The Great Outdoors, 2019
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Monika Janulevičiūtė & Antanas Lučiūnas, Acacia & Sessile, 2019
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Monika Janulevičiūtė & Antanas Lučiūnas, Belly, 2019
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Exhibition view
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Exhibition view
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Monika Janulevičiūtė & Antanas Lučiūnas, Water Striders, 2019
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Monika Janulevičiūtė & Antanas Lučiūnas, Water Striders, 2019
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Monika Janulevičiūtė & Antanas Lučiūnas, Charms SAVE YOURSELF, 2019
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Monika Janulevičiūtė & Antanas Lučiūnas, Charms SAVE YOURSELF, 2019
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Monika Janulevičiūtė & Antanas Lučiūnas, Charms SAVE YOURSELF, 2019

As long as we stay in touch, I will be able to fill you in with the specifics. Turn towards Fence Needle and the dried-out bridge. See, the rivulet dividing moorland stops.

A silence has set in. Everything clings and gets stuck on the documented remains and pauses of our encounters. As familiar as it was – it is excessively mottled with greed – futile to cross. Oblivion feasts on the ring of our languages. We assume this to be perpetual. Nevertheless, we are inexhaustible, each of us is already a congregation. – J. Bugloss Joyweed

The multitudes of annihilated things breathing, recuperating. Processes of aches and scabbing gaining consciousness back. Through scorched bark but still walking. The survival of all the sleek slides and collaborators. Soaring in cream pillows. Curls and speckles of primitive life etched repetitiously. Gold- coated stainless echo chambers. Insoluble, energy storages coagulating. Space time markers, arrow distance isolates.

Mock–Cypress, while stroking Lilly Fence: GOATKIN LILIPUT ALONG THE GRAIN AND WOOSH YOU DON’T WANT ME STAY GRAFTED WILTED DUMBSTRUCK WHEAT HEATHOLE DIG DOCK DEEPER CRADLE CAPPED CRUSTY CUNTS SCORN SHUN THOSE SODDING INBRED STRIDERS

The sand-sized thoughts prod and cramp life. Bodies decelerate and tingle. Hedges, bushes, ponds and orchards endure. Sequester it. They leap forward with a snickering grin across the reflections of stems, shafts and spores, pit stops and inventories.

A year can hold any number of seasons. Everything is alive as a warm foggy dew, intensely resinous, sickly-sweet.

5.9.19 — 3.10.19

Photo by Laurynas Skeisgiela

Editorial

'Discounts' by Egon Van Herreweghe at CONVENT, Ghent

'Never Early but Always On Time', Group Show at Apartment 13, Providence

'Daybreak' by Elisa Barrera at Lucas Hirsch, Dusseldorf

'Hat Box' by Julie Malen at Catbox Contemporary, New York

'19742 Ceremony' by Dishon Yuldash at Daipyat, Voronezh

'STILL MAGIC', Group Show at Redkie Iskusstva, Saint-Petersburg

'Methods for Regional Stewardship' by Will Bruno at Smart Objects, Los Angeles

'In Flames' by Inside Job at Lily Robert, Paris

'Spas Setun Dystopian Party Collection', Group Show at Spas Setun, Moscow

Money Gallery at BIENVENUE ART FAIR, Hotel La Lousiane, Paris

'Ok boomer', Group Show at Plague Space, Krasnodar

Greg Meza at ANDNOW/​WAREHOUSE, Dallas

'Von der schenkenden Tugend', Group Show at Zarinbal Khoshbakht, Cologne

Matthew Peers, Max Ruf at Lady Helen, Berlin

'Green changed to white, emerald to opal, nothing was changed' by Vadim Murin at

Chamber Realm at Dungeon, Detroit

'Bomba de humo (cloud point)' by Matias Solar at Relaciones Públicas, Mexico City

'Nocturne No. 1' by Brian Oakes at Mery Gates, New York

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