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'à condition' by Sophia Belkin & Mégane Voghell at Calaboose, Montreal

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Exhibition view
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Sophia Belkin & Mégane Voghell, pond, 2019
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Sophia Belkin & Mégane Voghell, pond (detail), 2019
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Sophia Belkin, pond (detail), 2019
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Sophia Belkin & Mégane Voghell, pond (detail), 2019
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Mégane Voghell, Éclat dans l’oeil, 2018
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Sophia Belkin, pond (detail), 2019
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Sophia Belkin, pond (detail), 2019
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Sophia Belkin, pond (detail), 2019
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Sophia Belkin, pond (detail), 2019
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Mégane Voghell, Ennemi II, 2018
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Mégane Voghell, Ennemi I, 2018
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Sophia Belkin, pond (detail), 2019
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Sophia Belkin, pond (detail), 2019
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Sophia Belkin, pond (detail), 2019
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Exhibition view
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Mégane Voghell, Rencontre sous la lune, 2018
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Exhibition view
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Sophia Belkin, Elixir, 2018
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Sophia Belkin, Elixir, 2018
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Exhibition view
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Mégane Voghell, Naissance aveugle (pierre tombale), 2019
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Exhibition view
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Sophia Belkin, Marsh Annex, 2019
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Sophia Belkin, Marsh Annex (detail), 2019
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Sophia Belkin, Marsh Annex (detail), 2019
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Sophia Belkin, Marsh Annex (detail), 2019
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Sophia Belkin, Marsh Annex (detail), 2019
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Sophia Belkin, Marsh Annex (detail), 2019
Décembre se termine enfin. Je traîne mes pieds dans la slush sur le pont, le bout de mes oreilles rougit et brûle. Je rencontre mon image, difficile à reconnaître sur la limite troublée de la surface dépolie de l’étang. Je me sens émue de chercher une vue plus claire.Kneeling at its shore, I address the pond directly:how do you maintain grace under these precarious conditions to which you are so vulnerable, external forces that dictate how you feel and are felt?Succumbing to a naive impulse, (or, more honestly, an unresolved desire to be dominated)I plant my senseless fingertips against the surface,transferring their prints in an arrogant sacrifice.

L’étang me répond: Parfois, je me sens comme moyen de conservation, et autrefois, de conversation.  Dans ma transparence réside mon offre de perspectives.  À condition de temps, ma surface gelée libère des occasions d’assemblages1. Ce sont simplement les stipulations de mon existence, même si je me sens souvent fatiguée.Precisely then, a sobering gust of air struck, ushering me towards the trail. I head back to the building where I often grow fearful2. Jusqu'à la prochaine fois, je serai préoccupé par les autres griefs et connaissances qu’il retient.

— Danica Pinteric, January 2019

1 Adapted from Mégane Voghell’s studio notes, 2018
2 ibid.

10.1.19 — 24.2.19

Calaboose

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'Dog, No Leash', Group Show at Spazio Orr, Brescia

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'Out-of-place artifact', Off-Site Project by Artem Briukhov in Birsk Fortress, Bi

'Gardening' by Daniel Drabek at Toni Areal, Zurich

'HALF TRUTHS', Group Show at Hackney Road, E2 8ET, London

'Unknown Unknowns' by Christian Roncea at West End, The Hague

'Thinking About Things That Are Thinking' by Nicolás Lamas at Meessen De Clercq,

‘Funny / Sad’, Group Show by Ian Bruner, Don Elektro & Halo, curated by Rhizome P

'Don’t Die', Group Show at No Gallery, New York

'Almost Begin' by Bronson Smillie at Afternoon Projects, Vancouver

'I'll Carry Your Heart's Gray Wing with a Trembling Hand to My Old Age', Group Sh

'hapy like a fly' by Clément Courgeon at Colette Mariana, Barcelona

'Fear of the Dark' by Jack Evans at Soup, London

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