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Sarah Kürten, Dan Mitchell at Lady Helen, London

Scrolls and trolls

The first time I saw a newspaper ironed the absurd act was performed by the butler in a screen adaption of some 19th century novel. Even by the standards of the British aristocracy this seemed preposterously decadent. Why would one need one’s morning paper extra flat? Would it make the big loose sheets easier to handle? Is it an ASMR thing? Or is some kind of petty sadism; exercising power over a servant just for the sake of it? Later in my cinematic explorations I saw post-war morning routines in which wives ironed newspapers for their husbands. In my memory this scene is American rather than British. It didn’t take place in the drawing room of a country house, but in the fitted kitchen of a suburban bungalow with a white picket fence. But anyways, just another example of the backwardness of patriarchal structures and tyranny I supposed. 

Much later still—recently in fact—I learned that newspapers really had been ironed, but that this was done not to flatten the sheets, but to fix the printer’s ink to the paper. While my convictions about past (and present) inequalities for women and the lower classes remain, I have to admit that this information revealed a new dimension of the action in question. Ironing the newspaper prevented the reader from getting the ink onto *his* finger tips. As ink was poisonous this was a precautionary measure. Wetting your finger to turn the page could be fatal — ironing the paper made the consumption of the news safer. A safer read. 

A simple thermal process stopped the news getting under your skin, literally. 

— JR

8.1.20 — 22.2.20

Lady Helen

'Discounts' by Egon Van Herreweghe at CONVENT, Ghent

'Never Early but Always On Time', Group Show at Apartment 13, Providence

'Daybreak' by Elisa Barrera at Lucas Hirsch, Dusseldorf

'Hat Box' by Julie Malen at Catbox Contemporary, New York

'19742 Ceremony' by Dishon Yuldash at Daipyat, Voronezh

'STILL MAGIC', Group Show at Redkie Iskusstva, Saint-Petersburg

'Methods for Regional Stewardship' by Will Bruno at Smart Objects, Los Angeles

'In Flames' by Inside Job at Lily Robert, Paris

'Spas Setun Dystopian Party Collection', Group Show at Spas Setun, Moscow

Money Gallery at BIENVENUE ART FAIR, Hotel La Lousiane, Paris

'Ok boomer', Group Show at Plague Space, Krasnodar

Greg Meza at ANDNOW/​WAREHOUSE, Dallas

'Von der schenkenden Tugend', Group Show at Zarinbal Khoshbakht, Cologne

Matthew Peers, Max Ruf at Lady Helen, Berlin

'Green changed to white, emerald to opal, nothing was changed' by Vadim Murin at

Chamber Realm at Dungeon, Detroit

'Bomba de humo (cloud point)' by Matias Solar at Relaciones Públicas, Mexico City

'Nocturne No. 1' by Brian Oakes at Mery Gates, New York

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