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'Spirits Within' by Rūtenė Merk at Editorial, Vilnius

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Rūtenė Merk, Remember the Time First, 2018
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Rūtenė Merk, Remember the Time First, 2018
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Rūtenė Merk, Cave Kling Wilson, 2018
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Rūtenė Merk, Cave Kling Wilson, 2018
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Rūtenė Merk, Spirits Within, 2018
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Rūtenė Merk, Spirits Within, 2018
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Rūtenė Merk, Leonda, 2018
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Rūtenė Merk, Second Life’s Cape San Blas Beach, 2018
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Rūtenė Merk, Denise, 2018
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Rūtenė Merk, Denise, 2018
ART HISTORIAN: Body and medium are both involved in the meaning of funereal images, as it is the missing body of the dead in whose place images are installed. But these images in turn are in need of an artificial body in order that they might occupy the vacant place of the deceased. To this end, a lost body is exchanged for the virtual body of the image.

CHUCK NOLAND: We’ve made real fire, huh, Wilson. So, Wilson?

FIRST PHILOSOPHER: A text lives only if it lives on, and it lives on only if it is at once translatable and untranslatable. Totally translatable, it disappears as a text, as writing, as a body of language. Totally un-translatable, even within what is believed to be one language, it dies immediately.

EDITOR: After completing the mission "Burning Desire", Denise can be found at her house in Ganton between the times of 16:00 and 06:00 (4:00 PM and 6:00 AM). Unlike other girlfriends, Denise has no requirements in order to date her.

ART HISTORIAN: Here we grasp the roots of that very contradiction which will forever characterize images: images make a physical (a body’s) absence visible by transforming it into iconic presence. The mediality of images is thus rooted in a body analogy.

SECOND PHILOSOPHER: Even the Pyramid, however, will not be as interesting as the dead king within it, as he is the only subject whose dreams are truly worth interpreting.

GENERAL HEIN: Where is the PROOF? DOCTOR AKI ROSS: Here.

7.9.18 — 19.10.18

Photo by Andrej Vasilenko

Editorial

'Thundercage 31' by Matthias Odin and Valentin Begarin at Thunder Cage, Aubervill

'Brown Carpet' by Harley Kuyck-Cohen at Slugtown, Newcastle

'Big Pie' by Anna Taganzeva-Kobzeva at devyatnadtsat gallery, Moscow

'The Remains of Genetic Salon' by Bobby Yu Shuk Pui at Podium, Oslo

'Ultra-gentle manipulation of delicate structures' by Alicia Adamerovich at Proje

'Unfollow you, dark doom, honey' by Nika Temeeva at Spas Setun, Moscow

'NOCLIPLILT' by Rolf Nowotny 
at Simian
, Copenhagen

'Sombre Dimanche' by Julie Béna at Longtermhandstand, Budapest

'ANIMA MUNDI' by Gwen and Ernest Gachet at 13 Vitrine, Prilly

'Through Puberty to Success', Group Show at Shore, Vienna

'Ominous Tales of a Dreaming Wrinkle', Group Show at Scherben, Berlin

‘PO RA’ by Stasia Grishina and Anton Andrienko at IP Vinogradov, Moscow

'The Hierarchy of Lows' by Laura Gozlan at Les Bains-Douches, Alençon

'I heard myself close my eyes, then open them', Group Show at BRAUNSFELDER, Colog

'The Eye, the Hands, the Lunacy of Lunar Sightings' by Monia Ben Hamouda at jevou

'Penumbra' by Sarah Księska at Ramiken, New York

'Neuzeit Grotesk', Group Show Curated by Camila McHugh at Gunia Nowik Gallery, Wa

'not before it has forgotten you' by Group Show at NıCOLETTı, London

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