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'Séraphîta' by Motoko Ishibashi & Nils Alix-Tabeling at Polansky Gallery, Prague

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Nils Alix-Tabeling, L'Éveil du Printemps, 2018
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Nils Alix-Tabeling, L'Éveil du Printemps (detail), 2018
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Motoko Ishibashi, bonded bodies, 2018
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Nils Alix-Tabeling, Limules, 2018
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Nils Alix-Tabeling, Limules, 2018
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Motoko Ishibashi, inner outer, 2018
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Motoko Ishibashi, enter-exit, 2018
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Motoko Ishibashi, small one, 2018 / hello world, 2018
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Nils Alix-Tabeling, L'Oeil de Lilith; Corner Stone, 2018
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Nils Alix-Tabeling, L'Oeil de Lilith; Corner Stone, 2018
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Nils Alix-Tabeling, L'Oeil de Lilith; Corner Stone, 2018 (detail)
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Nils Alix-Tabeling, L'Oeil de Lilith; Corner Stone, 2018 (detail)
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Installation view
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Motoko Ishibashi, cold blow, 2018

Séraphîta always has insects caught in her hair 

tendrils, tentacles

twisting branches, spreading fingers into black sand 

She scuttles, she folds herself over

blue-blooded, with a second skin

exo

two hairy legs 

a long dorsal fin and spout 

retractable claws 

roots that cling and burrow 

She inhales 

we try to destroy 

She exhales 

what we cannot possess 

8.11.18 — 22.12.18

Curated by Christina Gigliotti

Photo by Jan Kolsky

Polansky Gallery

 

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