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'Stepping on a Lego' by Jakub Choma at Polansky Gallery, Prague

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The engineer has stepped out for a moment. I can’t say when he’ll return. When he leaves his space, he is uneasy. He never wanders very far. The engineer doesn’t like to leave, because of the unpleasant influx of information entering his eyes and ears and brain once he does. But he must go out sometimes, if only for some air. Overheard conversations, music blasting from cars, signage screaming out various intentions. Other people’s voices permeate through him, they muddle his thoughts and merge with them, making it impossible to know which ideas are his own, and which are implanted. Imposter ideas, clichéd phrases from the outside world.

They enter his dreams!

“Don’t lose your fire”

“We’re all in this together”

Inventor. Recluse. Insomniac. Monster.

There are three reasons why stepping on a Lego is so painful. The first reason is because of the number of nerve endings we have in the soles of our feet, making them sensitive. Second, Legos have pointy corners. Third, Legos have no give and therefore transfer all of your weight and force back onto you once you’ve stepped on it. Wincing yet?

— Christina Gigliotti

8.11.18 — 22.12.19

Curated by Christina Gigliotti

Photo by Jan Kolsky

Polansky Gallery

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'Out-of-place artifact', Off-Site Project by Artem Briukhov in Birsk Fortress, Bi

'Gardening' by Daniel Drabek at Toni Areal, Zurich

'HALF TRUTHS', Group Show at Hackney Road, E2 8ET, London

'Unknown Unknowns' by Christian Roncea at West End, The Hague

'Thinking About Things That Are Thinking' by Nicolás Lamas at Meessen De Clercq,

‘Funny / Sad’, Group Show by Ian Bruner, Don Elektro & Halo, curated by Rhizome P

'Don’t Die', Group Show at No Gallery, New York

'Almost Begin' by Bronson Smillie at Afternoon Projects, Vancouver

'I'll Carry Your Heart's Gray Wing with a Trembling Hand to My Old Age', Group Sh

'hapy like a fly' by Clément Courgeon at Colette Mariana, Barcelona

'Fear of the Dark' by Jack Evans at Soup, London

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