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'Hyperlink', a Group Show at Romantso, Athens

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How to arrive somewhere. Not anywhere, but somewhere. How to articulate something that is not yet. It takes a clear mind, and a clear view. A clear view of the clear mind, to articulate --------. -------- are legion: reflexes, gestures, accommodating manoeuvres, posturings, precise complex articulations, random actions, practical and aesthetic patterns. Sometimes displayed openly, sometimes hidden or so minimal as to be only internally identifiable. All of them can be, and have been, analyzed in terms of space, time and energy. Together these elements differentiate one -------- from another and give each a unique identity. Depending on the nature of the -------- one element may predominate, but the others always contribute by supporting and refining the --------. In one example, the primary time element is augmented by the direct use of confined space and a light expressive and it contributes to, human growth and As instinctive degree of energy. Both practical, mirrors, development. forces, and passions unspoken needs and desires, interpreting the continuous flow of internal and external signals and determining the intuitions, rhythms, drive us to respond to appropriate form of action.How to arrive somewhere. Not anywhere, but somewhere. How to articulate something that is not yet. A comprehensive intelligence apprehends other realities and adjust accordingly. Since the discovery of the neutron and the positron, it seems that in the cancelling out of the positive and negative charges, just the electron mass transforms into radiation energy and the proton mass is retained. The neuromuscular system - muscle contraction, nerve stimulation, touch sensation, adrenaline formation, muscle fatigue, oxygen depletion - provides a parallel flow of feedback along with our sensitivities to gravity, pressure, breath tension and verticality.How to arrive somewhere. Not anywhere, but somewhere. How to articulate something that is not yet. -------- are legion.

8.12.17 — 14.12.17

Clearview, Dorota Gaweda & Egle Kulbokaite, Dimitris Gketsis, Alexandra Koumantaki, Kareem Lotfy, Eva Papamargariti, Valinia Svoronou, Yannis Voulgaris

Curated by Hyperlink

Text by Clearview.ltd

Romantso

'The most weirdest things, make the most beautiful pictures' by Michael Bussell &

'Time Keepers' by Johanna Odersky at Intersticio, London

'Bliss' by Ellande Jaureguiberry at A.ROMY, Geneva

'
The Naked Girl Walking Backwards Like Crayfish' by Chloé Arrouy at NEVVEN ON SI

'Sloan' by Joseph Kusendila at Kantine, Brussels

'Grommets' by Rasmus Røhling at C.C.C., Copenhagen

'Goggelmoggel' by Lukas Schneider at Regatta 2, Dusseldorf

'Catacombs of Love' by Sylbee Kim at MÉLANGE, Cologne

'Kündigung' by Jannis Marwitz at Lucas Hirsch, Dusseldorf

'Fantasy Finery', a Group Show at Berlínskej model, Prague

'A curse in disguise' by Adam Cruces at Disneyland Paris, Melbourne

'Autonomia
' by Kaspars Groševs at Noass, Riga

'Bracket Sentiment And The Technicolor Yawn' by Sophie Serber at Shore, Vienna

‘Exception of (not) being’, Online Show Curated by Essenza Club and Rhizome Parki

'Energy Systems / 3: Safe in the Front End' by Joachim Coucke & Lasse Hieronymus

'Giantess' by Rose Dickson at Melanie Flood Projects, Portland

'Lieber Nackt Als Gefühlsleben' by David Ostrowski at JIR SANDEL, Copenhagen

'This Land is Your Land' by Andre Yvon at darkZone, New Jersey

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