Dennis Loesch, THE FENDIMENTS, THE KENZOPREME
Leckhaus, La Polizia, 2018
Isaac Penn, It’s the Shoes that Talk, 2017 / Zuzanna Czebatul, Within Meadows And Rolling Fields, 2016
Jake Kent, Green Boot, 2018
Claude Eigan, After 6 protoform #8 : C’s edition, 2018
Zsófia Keresztes, Mask of a drawn battle, 2018 / Zuzanna Czebatul, Within Meadows And Rolling Fields, 2016
Przemek Pyszczek, Supreme Krówki, 2016 / Zuzanna Czebatul, Within Meadows And Rolling Fields, 2016
Monika Grabuschnigg, You’ve been everywhere but here, 2017
Nuri Koerfer, Worm of the stones, 2018
Rafal Zajko, HandWorks (RGB), 2018
Nuri Koerfer, Insel, 2017
Monika Grabuschnigg, You’ve been everywhere but here, 2017 / Claude Eigan, After 6 protoform #9 : Coffee break, 2018 / Claude Eigan, After 6 protoform #8 : C’s edition, 2018 / Maximilian Schmoetzer, Untitled (Medizini Poster Waldrappen), 2018
Jonas Schoeneberg, N0 H0RIZ0N (from the series Fireflies), 2018 / Leckhaus, La Polizia, 2018
Isaac Penn, It’s the Shoes that Talk, 2017
Claude Eigan, After 6 protoform #8 : C’s edition, 2018 / Claude Eigan, After 6 protoform #9 : Coffee break, 2018
Zsófia Keresztes, Mask of a drawn battle, 2018
Jake Kent, Calendar for the year (2017, The Past), 2018 / Claude Eigan, After 6 protoform #8 : C’s edition, 2018
Maximilian Schmoetzer, Untitled (Medizini Poster Waldrappen), 2018
Installation view
Monika Grabuschnigg, So it is a lover who bubbles and who foams, 2017
GeoVanna Gonzalez, Keep down the blinds and fold (Featuring Monika Grabuschnigg, Holder 14), 2018
Nuri Koerfer, Over Spiralling, 2017 / Kathy Acker and Alan Sondheim, Blue Tapes, 1972
Monika Grabuschnigg, So it is a lover who bubbles and who foams, 2017
Jake Kent, Calendar for the year (2018, The Present), 2018
Rafal Zajko, HandWorks (RGB), 2018
GeoVanna Gonzalez, Keep down the blinds and fold (Featuring Monika Grabuschnigg, Holder 14), 2018
Kathy Acker and Alan Sondheim, Blue Tapes, 1972
Jake Kent, All Plod is Twat, 2018
Josefin Arnell, Champs, 2018
Jake Kent. Cowboy (Stuffed Toy Prototype), 2018
Przemek Pyszczek, Supreme Krówki, 2018
Monika Grabuschnigg, So it is a lover who bubbles and who foams, 2017
Jack Schneider, Altenbraker Str. 18, 12053 Berlin, Germany (Replica Habitat), 2018
Installation view
Installation view
Jonas Schoeneberg, N0 H0RIZ0N (from the series Fireflies), 2018 / Leckhaus, La Polizia, 2018 / Jake Kent, Calendar for the year (2019,The Future), 2018 / Monika Grabuschnigg, So it is a lover who bubbles and who foams, 2017
I have tethered the bitter dream of you to a fat cell And walked around the block completely naked
Swan Meat , Render/Trigger (2016)
Ian Curtis danced live for four years to the rhythm of his own bodily hauntology, a psychic scene that was composed of life beyond death via the frame of the stage. Without those adoring fearful eyes his body would have been left – reduced to a bedroom producer…but what is it about the bedroom that enables reverie over product.
Haptic House acts as a facilitative landscape for the works on show to become multi-functional, macro >< compact, and personalized versions specifically designed for the viewers. Haptic House neglects the common compositional gestures, rooted in the cannon of a formal art historical g(l)aze. The House instead welcomes you into an emotive subjecthood, allowing you to feel free to morph your view, graft, sample and remix the infinitum scale of overproduction. Please scale-up your emotional content. Archive yourself amongst these immortal, spacial beings – the exhibition, after all, is here to serve you.
Haptic House explores the concept of muse viewing rather than the designed gaze. Omitting the manners of the cube, in favour of becoming a radical landscape.
Fragmented we stand… and…
Oh, it’s a lonely world, I know Gon’ get a lonely girl, that’s fo’ sho’ Oh, I’m a lonely boy, she made a lonely boy, yeah, I know Oh, it’s a lonely world, I know Gon’ get a lonely girl, that’s fo’ sho’ Oh, I’m a lonely boy, she made a lonely boy, yeah, I know
Lil Peep, Cry Baby (1996-2017)
