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'Garfield in 2D', Group Show at Disneyland Paris, Perth
Exhibition view
Exhibition view
Exhibition view
Bora Akıncıtürk Vintage Enesco GARFIELD Creamer 1981 | I Love Moo Juice United Feature Syndicate 2022 Oil on canvas 30 x 24 cm
Bora Akıncıtürk Vintage Enesco GARFIELD Creamer 1981 | I Love Moo Juice United Feature Syndicate 2022 Oil on canvas 30 x 24 cm
Bora Akıncıtürk Vintage Enesco GARFIELD Creamer 1981 | I Love Moo Juice United Feature Syndicate 2022 Oil on canvas 30 x 24 cm
David Attwood YOU WORK AND THEN YOU DIE (Study for a bedroom mural) 2020 - 2022 Paintings made by the artist's mother according to his instructions Acrylic on canvas 30.5 x 40.5 cm each
David Attwood YOU WORK AND THEN YOU DIE (Study for a bedroom mural) 2020 - 2022 Paintings made by the artist's mother according to his instructions Acrylic on canvas 30.5 x 40.5 cm each
David Attwood YOU WORK AND THEN YOU DIE (Study for a bedroom mural) 2020 - 2022 Paintings made by the artist's mother according to his instructions Acrylic on canvas 30.5 x 40.5 cm each
Jaakko Pallasvuo Claws 2022 Canvas print 30 x 30 cm
Jaakko Pallasvuo Claws 2022 Canvas print 30 x 30 cm
Exhibition view
Exhibition view
Philip Hinge Floating into nothing 2020 Acrylic on canvas 40.5 x 50 cm
Exhibition view
Jim Davis’ Garfield provides such interesting material for fan art as its humour allows for an endless repetition of punchlines concerning Jon’s ambivalent feelings to domestic life. This lack of resolution invites interventions to try to resolve or to heighten the antagonisms in the original material. Garfield fan art draws out the anxieties about consumption at work in Garfield and how consumption constituted its genesis. Further, Garfield and its fandom might show us the ways in which ironic art can serve to build social connections in contrast to the potentially alienating effects of didactic art in an atomized society of Jons. It is for this reason that I believe artists, writers and critics everywhere must be ready, on behalf of those who have nothing to lose but their chains, to stand up and say meow meow meow meow meow.
G.P.K. (Geoffrey Pussy-Kat).
19.8.22 — 10.9.22
Bora Akıncıtürk, David Attwood, Jaakko Pallasvuo, Philip Hinge
Disneyland Paris
19.8.22 — 10.9.22 Bora Akıncıtürk, David Attwood, Jaakko Pallasvuo, Philip Hinge [Disneyland Paris](http://disneylandparis.net.au/)
Australia
Bora Akıncıtürk
David Attwood
Disneyland Paris
Jaakko Pallasvuo
Perth
Philip Hinge
'CHARLES MANSON, TIMOTHY LEARY & THE RATS OF NIMH', Group Show at 4649 Galler
y, T
'Fantastic Epiphany' by Malwine Stauss & Naiyun Yang at La Felce, Cologne
'Corporate values by Misha Gudwin at Supermetall, Moscow
'Ashes to Lashes, Dust to Lust', Group Show at GROVE, Berlin
'Victim of Cosmetics' by Claire Barrow in a repurposed office space, London
'Digital Anomalies' by Nicolás Lamas at FORM, Wageningen
'IT'S DIFFICULT TO EXPLAIN SO I STAY QUIET' by Lukas Glinkowski at Galería Fr
an R
'The place that can never be' by Anna Taganzeva at Plague Space, Krasnodar
'Chocolate Goblin' by Travis John Ficarra at Glasshouse, Victoria
'MILITARY POP', Group Show at Spas Setun, Moscow
TARGET GROUP SHOW, conceived by Hannes Schmidt at BRAUNSFELDER, Cologne
'DISTIRA' by Irati Inoriza at Galeria Fran Reus, Palma de Mallorca
'Underground Memorandum' by Richard Nikl at Shore, Vienna
'All Watched Over by Emissaries of Loving Grace' by Louis Morlæ at Duarte Seq
ueir
'itsanosofadog *It’s an arse of a dog' by Amanda Moström, Rose Easton, London
'Deceiving players' by Rimma Arslanov at KOENIG2 by_robbygreif, Vienna
'Sizzling Hot' by Rosa Lüders at 14a, Hamburg
'The Particular Matter of a Pisces Rug' by Kelly Kaczynski at Weatherproof, C
hica
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