image text special shop

'Trust' by Gaia Vincensini at 1.1, Basel

article image; primary-color: #A9A7A8;

article image; primary-color: #A3A3A3;

article image; primary-color: #B4B4B4;

article image; primary-color: #B4B4B4;

article image; primary-color: #B9B9B9;

article image; primary-color: #C3C3C3;

article image; primary-color: #A8A6A9;

article image; primary-color: #B6B3AE;

article image; primary-color: #9A999F;

article image; primary-color: #C9C9C9;

article image; primary-color: #AEAFAA;

article image; primary-color: #CACACC;

article image; primary-color: #C2C1C6;

article image; primary-color: #CCCBD0;

article image; primary-color: #C7C6CB;

article image; primary-color: #A5A6AB;

article image; primary-color: #B0B0B0;

article image; primary-color: #B2ADAA;

article image; primary-color: #B0ABA8;

article image; primary-color: #C6C5CA;

article image; primary-color: #B2B2B4;

article image; primary-color: #BFBFC1;

article image; primary-color: #ABAEA7;

article image; primary-color: #A9A7AA;

article image; primary-color: #BDBDBF;

article image; primary-color: #BCBABD;

article image; primary-color: #CFCFD1;

article image; primary-color: #D4D4D4;

article image; primary-color: #C0BABE;

article image; primary-color: #C4C5BF;

article image; primary-color: #CCCCCE;
article image; primary-color: #CBCCD1;

article image; primary-color: #CACBD0;

article image; primary-color: #C9C9C9;

article image; primary-color: #B9B8BD;

article image; primary-color: #979596;

article image; primary-color: #BEC1C8;

Gaia Vincensini presents drawings that reflect her close and on-going examination of Geneva, especially the city’s reflection of its inhabitants’ collective identity through its architectural appearance. She draws comparisons between the branding of the numerous big banks with those of commercial galleries and major cultural institutions. This hints to her emancipatory confrontation about the artist’s role in today’s society, and reoccurs in her choices of techniques. It is also a tool to rebuild ties to the artist’s role in history through gestures. For “Trust”, she also collaborates with Eliott Villars, with whom she’s made prints with original etchings, embroideries or flockings presented on shirts.

Gaia Vincensini lives and works in Geneva, where she obtained her Masters in Fine Arts in 2016. She is a part of the collective LGG$B, whose practice as well as her individual work form an alternative to such a corporate identity.

13.1.18 — 27.1.18

'ABSINTHE', Group Show Curated by PLAGUE at Smena, Kazan

'Pupila' by Elizabeth Burmann Littin at Two seven two gallery, Toronto

'Auxiliary Lights' by Kai Philip Trausenegger at Bildraum 07, Vienna

'Inferno' by Matthew Tully Dugan at Lomex, New York

'Зamok', Off-Site Group Project at dentistry Dr. Blumkin, Moscow

'Dog, No Leash', Group Show at Spazio Orr, Brescia

'Syllables in Heart' by Thomas Bremerstent at Salgshallen, Oslo

'Out-of-place artifact', Off-Site Project by Artem Briukhov in Birsk Fortress, Bi

'Gardening' by Daniel Drabek at Toni Areal, Zurich

'HALF TRUTHS', Group Show at Hackney Road, E2 8ET, London

'Unknown Unknowns' by Christian Roncea at West End, The Hague

'Thinking About Things That Are Thinking' by Nicolás Lamas at Meessen De Clercq,

‘Funny / Sad’, Group Show by Ian Bruner, Don Elektro & Halo, curated by Rhizome P

'Don’t Die', Group Show at No Gallery, New York

'Almost Begin' by Bronson Smillie at Afternoon Projects, Vancouver

'I'll Carry Your Heart's Gray Wing with a Trembling Hand to My Old Age', Group Sh

'hapy like a fly' by Clément Courgeon at Colette Mariana, Barcelona

'Fear of the Dark' by Jack Evans at Soup, London

Next Page