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'Coronation', a Group Show Curated by Àngels Miralda at HORSEANDPONY, Berlin

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Thomas Yeomans, Bloom and Creep, 2018
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Thomas Yeomans, Bloom and Creep, 2018
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Thomas Yeomans, Bloom and Creep, 2018
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Installation View
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Installation View
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Thomas Yeomans, Royal America, 2017
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Thomas Yeomans, Queer Sigil, Sigil designed by Joseph Morgan Schofield, 2017
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Thomas Yeomans, Antifa, 2017
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Thomas Yeomans, United Federation of Planets, 2017
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Thomas Yeomans, Imperial War Flag of British Fascism, 2017
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Installation View
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Valinia Svoronou, Home as Office, 2018
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Installation View
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Valinia Svoronou, Ornament Bearer 2, 2018
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Valinia Svoronou, Home as Office, 2018
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Valinia Svoronou, cigarettes, coloured 3D prints, 2016
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Installation View
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Khaled Barakeh, The Shake – Materialising Distance Memory Management, 2013
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Khaled Barakeh, The Shake – Materialising Distance Memory Management, 2013
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Beth Collar, cloaked output vol. 1: Spirals of Focus, 2018
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Beth Collar, cloaked output vol. 1: Spirals of Focus, 2018
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Beth Collar, cloaked output vol. 1: Spirals of Focus, 2018
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Sandra Mujinga, Shawl (Elephant Ears #1,2,3,6), 2017
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Sandra Mujinga, Shawl (Elephant Ears #1,2,3,6), 2017
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Sandra Mujinga, Shawl (Elephant Ears #1,2,3,6), 2017
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Sandra Mujinga, Shawl (Elephant Ears #1,2,3,6), 2017
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Sandra Mujinga, Shawl (Elephant Ears #1,2,3,6), 2017
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Sandra Mujinga, Shawl (Elephant Ears #1,2,3,6), 2017

This exhibition is about the disjuncture of our times.

Worlds that exist parallel to each other.

A unique sense of the contemporary, lateral truths in inconsistent layers. Somewhere between nostalgia and hope, lies our special temporality which we always seem to be attempting to escape. Apocalyptic visions of our future crowd contemporary theory while nostalgic historical futurisms substantially proliferate. A 90’s utopian naiveté and Cold War science fiction use our own failures to describe worlds that are simultaneously awake.

Historical re-enactment, appropriation, and gesture re-think our relationship with the past and our own identities. History and heritage become a refuge from daily trials. Brands act as standard, national symbols, and create legacy. From a Holloway pub to corporate advertisement, flags and standards from the Middle Age continue to conjure mass emotion.

Gaps and fissures, cracks and chasms, inconsistency and divergence. All seething and alive.

29.1.18 — 18.2.18

Khaled Barakeh, Beth Collar, Sandra Mujinga, Valinia Svoronou, Thomas Yeomans

Photo by Michael Rocco Ruglio-Misurell

HORSEANDPONY

'ABSINTHE', Group Show Curated by PLAGUE at Smena, Kazan

'Pupila' by Elizabeth Burmann Littin at Two seven two gallery, Toronto

'Auxiliary Lights' by Kai Philip Trausenegger at Bildraum 07, Vienna

'Inferno' by Matthew Tully Dugan at Lomex, New York

'Зamok', Off-Site Group Project at dentistry Dr. Blumkin, Moscow

'Dog, No Leash', Group Show at Spazio Orr, Brescia

'Syllables in Heart' by Thomas Bremerstent at Salgshallen, Oslo

'Out-of-place artifact', Off-Site Project by Artem Briukhov in Birsk Fortress, Bi

'Gardening' by Daniel Drabek at Toni Areal, Zurich

'HALF TRUTHS', Group Show at Hackney Road, E2 8ET, London

'Unknown Unknowns' by Christian Roncea at West End, The Hague

'Thinking About Things That Are Thinking' by Nicolás Lamas at Meessen De Clercq,

‘Funny / Sad’, Group Show by Ian Bruner, Don Elektro & Halo, curated by Rhizome P

'Don’t Die', Group Show at No Gallery, New York

'Almost Begin' by Bronson Smillie at Afternoon Projects, Vancouver

'I'll Carry Your Heart's Gray Wing with a Trembling Hand to My Old Age', Group Sh

'hapy like a fly' by Clément Courgeon at Colette Mariana, Barcelona

'Fear of the Dark' by Jack Evans at Soup, London

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