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'Cater to you', a Group Show at EIGEN + ART Lab, Berlin

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Cudelice Brazelton, Glaive (detail), 2019
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Cudelice Brazelton, Glaive (detail), 2019
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Jake Kent, Punks is Hippies, 2018
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Anna Solal, Kite 2, 2016 / Courtesy of the Artist & New Galerie
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Anna Solal, Kite 2 (detail), 2016 / Courtesy of the Artist & New Galerie
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Anna Solal, Kite 1, 2016 / Courtesy of the Artist & New Galerie
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Cudelice Brazelton, Quartz, 2019
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Madison Bycroft, yeah, nah. With ornament (detail), 2019
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Madison Bycroft, yeah, nah. With ornament, 2019
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Madison Bycroft, yeah, nah. With ornament (detail), 2019
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Anna Solal, Le jardin de Neverland, 2017 / Courtesy of the Artist & New Galerie
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Jake Kent, Punk Rock Possibility, 2018
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Jake Kent, Punk Rock Possibility, 2018
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Jake Kent, Punk Rock Possibility (detail), 2018
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Zoe Williams, Gulper fish head tureen, 2019 / Courtesy of the Artist & Antoine Levi, Paris
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Zoe Williams, Rococo blush fish head tureen, 2019 / Courtesy of the Artist & Antoine Levi, Paris
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Zoe Williams, Salmon bottom feed fish head tureen, 2019 / Courtesy of the Artist & Antoine Levi, Paris
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Zoe Williams, Ruffles, 2019 (Documentation of a performative soirée on the occasion of artmonte-carlo, 2019) / Courtesy of the Artist & Antoine Levi, Paris

Cater to...

...the potential of productive withdrawals as instances of social and political creativity revamping existing infrastructures and giving shape to new institutional assemblages. (Kuba Szreder)

...the understanding of the table as the smallest – injectable – social architecture; 

to perceive a seating order not as a preset of social relations and invitation to 

vampirism, but as a caring context to serve different mindsets 

and digest agonistic menus.

... service as a strategy of love; to discard any value system which looks at any task that is related to ‘service’ as devalued but instead celebrate it as the strengthening of our 

capacity to know compassion and deepen our insight. 

(bell hooks)

…the healing of the wounds of binary representations and check box systems and the reclaim of the tools of scarification and branding.

... symbolic overproduction not as a form of escapist formalism and distinction but as a form of empowerment and complexity; to apply an overuse of style which might 

lead into its contradiction.

...the act of exiting not as an act of passivity; to believe in defection as a modification of the conditions within which the struggle takes place, rather than presupposing those conditions to be an unalterable horizon. 

(Paolo Virno)

... abject and abjection as safeguards, which billows on the edge of 

non-existence and hallucination, of a reality that annihilates certainties. 

(Julia Kristeva)

...the process of affirmation and circulation as multi-faced potentials being all additive, subjective, romantic, imaginative, personal, autobiographical, whimsical, narrative, decorative, lyrical, architectural, sculptural, eccentric, local, specific, spontaneous, irrational, private, impulsive, gestural, handwritten, handmade, colorful, joyful, obsessive, fussy, funny, funky, vulgar, perverse, mannerist, tribal, rococo, tactile, self-referring, sumptuous, sensuous, salacious, eclectic, exotic, messy, monstrous, complex, ornamented, embroidered, articulated, spatial, light-filled, delicate, warm, open, 

questioning and sharing. (Joyce Kozloff)

10.9.19 — 19.10.19

Cudelice Brazelton, Madison Bycroft, Jake Kent, Anna Solal, Zoe Williams

Curated by Marie Gerbaulet, Hendrike Nagel, Elena Setzer

Photo by Eike Walkenhorst

EIGEN + ART Lab

'an increasing black dent in the night sky', Group Show at Spas Setun, Moscow

'Interior' by Tim Wagg at Haydens Gallery, Melbourne

'Old Sun, New Sun', Group Show Curated by Andrew Sung Taek Ingersoll at Et al., S

'The Houses Of The Serpent Bearer. The 9th House' by Mónica Mays & Flora Yin-Wong

'Dream Archipelago', Group Show Curated by Sergey Guskov at Smena, Kazan

'Eternal Flame', Group Show at Shore, Vienna

'Cosmovisions', Group Show at Medusa Offspace, Brussels

'No Time To Explain' by Paul Robas at Solito, Naples

'Night Rider' by Yan Posadsky at Devyatnadtsat’, Moscow

'Funding Emotions' by Magnus Frederik Clausen and Kaare Ruud at Cantina, Aarhus

'What I felt for you was love', Group Show at Afternoon Projects, Vancouver

'Mirror Stage' by Bora Akinciturk and Ella Fleck at Shipton, London

‘Millions Now Living Will Never Die!’ by Ian Swanson at Plague Space, Krasnodar

'VEGAN' by Jack Jubb at house of spouse, Vienna

'Fresh Hell' by Jonah Pontzer at Rose Easton, London

'It's quite like Guggenheim', Group Show at Ringcenter 1, Berlin

'OUTER DARKNESS', Off-Site Project by Allyson Packer in 1698 GALISTEO, SANTA FE

'mareas' by Elizabeth Burmann at Galeria Patricia Ready, Santiago

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