image text special shop

'Cater to you', a Group Show at EIGEN + ART Lab, Berlin

article image; primary-color: #D6D6D6;
Exhibition view
article image; primary-color: #D2CECB;
Cudelice Brazelton, Glaive (detail), 2019
article image; primary-color: #CFCAC6;
Cudelice Brazelton, Glaive (detail), 2019
article image; primary-color: #E1E0DE;
Exhibition view
article image; primary-color: #D7D6D2;
Jake Kent, Punks is Hippies, 2018
article image; primary-color: #D5D1CE;
Exhibition view
article image; primary-color: #9A9693;
Anna Solal, Kite 2, 2016 / Courtesy of the Artist & New Galerie
article image; primary-color: #A2A0A1;
Anna Solal, Kite 2 (detail), 2016 / Courtesy of the Artist & New Galerie
article image; primary-color: #A29E9B;
Anna Solal, Kite 1, 2016 / Courtesy of the Artist & New Galerie
article image; primary-color: #BFBEBA;
Exhibition view
article image; primary-color: #D8D4D3;
Cudelice Brazelton, Quartz, 2019
article image; primary-color: #CCCCCA;
Exhibition view
article image; primary-color: #ABB2AA;
Madison Bycroft, yeah, nah. With ornament (detail), 2019
article image; primary-color: #BFC1C0;
Madison Bycroft, yeah, nah. With ornament, 2019
article image; primary-color: #AAA8A9;
Madison Bycroft, yeah, nah. With ornament (detail), 2019
article image; primary-color: #D1D3D0;
Exhibition view
article image; primary-color: #C6C5C3;
Exhibition view
article image; primary-color: #BFBFBD;
Anna Solal, Le jardin de Neverland, 2017 / Courtesy of the Artist & New Galerie
article image; primary-color: #BCB8B5;
Exhibition view
article image; primary-color: #CDC9C6;
Exhibition view
article image; primary-color: #C5C4C2;
Jake Kent, Punk Rock Possibility, 2018
article image; primary-color: #BBB6B0;
Jake Kent, Punk Rock Possibility, 2018
article image; primary-color: #BDB1A5;
Jake Kent, Punk Rock Possibility (detail), 2018
article image; primary-color: #AAA6A3;
Exhibition view
article image; primary-color: #D7D3C7;
Exhibition view
article image; primary-color: #CBCAC8;
Exhibition view
article image; primary-color: #B8B7B3;
Exhibition view
article image; primary-color: #C0C1B9;
Zoe Williams, Gulper fish head tureen, 2019 / Courtesy of the Artist & Antoine Levi, Paris
article image; primary-color: #D2CDC7;
Zoe Williams, Rococo blush fish head tureen, 2019 / Courtesy of the Artist & Antoine Levi, Paris
article image; primary-color: #D4D0C7;
Zoe Williams, Salmon bottom feed fish head tureen, 2019 / Courtesy of the Artist & Antoine Levi, Paris
article image; primary-color: #AA9F9B;
Zoe Williams, Ruffles, 2019 (Documentation of a performative soirée on the occasion of artmonte-carlo, 2019) / Courtesy of the Artist & Antoine Levi, Paris

Cater to...

...the potential of productive withdrawals as instances of social and political creativity revamping existing infrastructures and giving shape to new institutional assemblages. (Kuba Szreder)

...the understanding of the table as the smallest – injectable – social architecture; 

to perceive a seating order not as a preset of social relations and invitation to 

vampirism, but as a caring context to serve different mindsets 

and digest agonistic menus.

... service as a strategy of love; to discard any value system which looks at any task that is related to ‘service’ as devalued but instead celebrate it as the strengthening of our 

capacity to know compassion and deepen our insight. 

(bell hooks)

…the healing of the wounds of binary representations and check box systems and the reclaim of the tools of scarification and branding.

... symbolic overproduction not as a form of escapist formalism and distinction but as a form of empowerment and complexity; to apply an overuse of style which might 

lead into its contradiction.

...the act of exiting not as an act of passivity; to believe in defection as a modification of the conditions within which the struggle takes place, rather than presupposing those conditions to be an unalterable horizon. 

(Paolo Virno)

... abject and abjection as safeguards, which billows on the edge of 

non-existence and hallucination, of a reality that annihilates certainties. 

(Julia Kristeva)

...the process of affirmation and circulation as multi-faced potentials being all additive, subjective, romantic, imaginative, personal, autobiographical, whimsical, narrative, decorative, lyrical, architectural, sculptural, eccentric, local, specific, spontaneous, irrational, private, impulsive, gestural, handwritten, handmade, colorful, joyful, obsessive, fussy, funny, funky, vulgar, perverse, mannerist, tribal, rococo, tactile, self-referring, sumptuous, sensuous, salacious, eclectic, exotic, messy, monstrous, complex, ornamented, embroidered, articulated, spatial, light-filled, delicate, warm, open, 

questioning and sharing. (Joyce Kozloff)

10.9.19 — 19.10.19

Cudelice Brazelton, Madison Bycroft, Jake Kent, Anna Solal, Zoe Williams

Curated by Marie Gerbaulet, Hendrike Nagel, Elena Setzer

Photo by Eike Walkenhorst

EIGEN + ART Lab

'Like a Moth to a Flame' by Luca Florian at Atelier 35, Bucharest

'Social Agony Conscious Healing' by Jack Kennedy at Forth, Nottingham

'CELESTIAL POETICS', Group Show Curated by Liam Denny at Greenhouse Off-site, Mel

'GRAFT' by Amitai Romm at VEDA, Florence

'Terrapozzoli' by Martina Kügler at Mountains, Berlin

'Un perfume sin soporte, un gasto puro' by Marina Glez. Guerreiro and Raúl Lorenz

'Misty’s Tears', Off-Site Show by Gitte Maria Möller in Unitarian Church, Cape To

'Meditations on Entropy' by X Breidenbach at NIGHTTIMESTORY, Los Angeles

'Plague Expo Show', Group Project at Plague Office and Sasha Shardak's studio, Ka

'Re: Recover; Don't make angels dream of' by Yamamoto Shohei at Ritsuki Fujisaki

'Peel' by Stian Ådlandsvik at Van Etten Gallery, Oslo

'Figures of Speech', Group Show Curated by Dobroslawa Nowak and Nicola Nitido at

'Wet Wishes' by Laura Ní Fhlaibhín at Britta Rettberg, Munich

'The Descent', Off-Site Group Project at Mount Douglas Cave, Victoria

'Big Beat Disaster' by DIS at Project Native Informant, London

'Ambergris' by Ánima Correa at Hunter Shaw Fine Art, Los Angeles

'Necromancer' by Andrew Roberts at House of Chappaz, Valencia

Joshua Abelow at Kunsthalle Wichita

Next Page