Exhibition view
Cudelice Brazelton, Glaive (detail), 2019
Cudelice Brazelton, Glaive (detail), 2019
Exhibition view
Jake Kent, Punks is Hippies, 2018
Exhibition view
Anna Solal, Kite 2, 2016 / Courtesy of the Artist & New Galerie
Anna Solal, Kite 2 (detail), 2016 / Courtesy of the Artist & New Galerie
Anna Solal, Kite 1, 2016 / Courtesy of the Artist & New Galerie
Exhibition view
Cudelice Brazelton, Quartz, 2019
Exhibition view
Madison Bycroft, yeah, nah. With ornament (detail), 2019
Madison Bycroft, yeah, nah. With ornament, 2019
Madison Bycroft, yeah, nah. With ornament (detail), 2019
Exhibition view
Exhibition view
Anna Solal, Le jardin de Neverland, 2017 / Courtesy of the Artist & New Galerie
Exhibition view
Exhibition view
Jake Kent, Punk Rock Possibility, 2018
Jake Kent, Punk Rock Possibility, 2018
Jake Kent, Punk Rock Possibility (detail), 2018
Exhibition view
Exhibition view
Exhibition view
Exhibition view
Zoe Williams, Gulper fish head tureen, 2019 / Courtesy of the Artist & Antoine Levi, Paris
Zoe Williams, Rococo blush fish head tureen, 2019 / Courtesy of the Artist & Antoine Levi, Paris
Zoe Williams, Salmon bottom feed fish head tureen, 2019 / Courtesy of the Artist & Antoine Levi, Paris
Zoe Williams, Ruffles, 2019 (Documentation of a performative soirée on the occasion of artmonte-carlo, 2019) / Courtesy of the Artist & Antoine Levi, Paris
Cater to...
...the potential of productive withdrawals as instances of social and political creativity revamping existing infrastructures and giving shape to new institutional assemblages. (Kuba Szreder)
...the understanding of the table as the smallest – injectable – social architecture;
to perceive a seating order not as a preset of social relations and invitation to
vampirism, but as a caring context to serve different mindsets
and digest agonistic menus.
... service as a strategy of love; to discard any value system which looks at any task that is related to ‘service’ as devalued but instead celebrate it as the strengthening of our
capacity to know compassion and deepen our insight.
(bell hooks)
…the healing of the wounds of binary representations and check box systems and the reclaim of the tools of scarification and branding.
... symbolic overproduction not as a form of escapist formalism and distinction but as a form of empowerment and complexity; to apply an overuse of style which might
lead into its contradiction.
...the act of exiting not as an act of passivity; to believe in defection as a modification of the conditions within which the struggle takes place, rather than presupposing those conditions to be an unalterable horizon.
(Paolo Virno)
... abject and abjection as safeguards, which billows on the edge of
non-existence and hallucination, of a reality that annihilates certainties.
(Julia Kristeva)
...the process of affirmation and circulation as multi-faced potentials being all additive, subjective, romantic, imaginative, personal, autobiographical, whimsical, narrative, decorative, lyrical, architectural, sculptural, eccentric, local, specific, spontaneous, irrational, private, impulsive, gestural, handwritten, handmade, colorful, joyful, obsessive, fussy, funny, funky, vulgar, perverse, mannerist, tribal, rococo, tactile, self-referring, sumptuous, sensuous, salacious, eclectic, exotic, messy, monstrous, complex, ornamented, embroidered, articulated, spatial, light-filled, delicate, warm, open,
questioning and sharing. (Joyce Kozloff)
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