image text special shop

'The lights are on but no one’s home' by Andrew Birk at LAND, Kansas City

article image; primary-color: #8C8783;
article image; primary-color: #B96F3E;
article image; primary-color: #817871;
article image; primary-color: #363C54;
article image; primary-color: #CAC3BD;
article image; primary-color: #6B8C9B;
article image; primary-color: #B4AEAE;
article image; primary-color: #FCFDF7;
article image; primary-color: #B7B3B0;
article image; primary-color: #508A58;
article image; primary-color: #9E9D9B;
article image; primary-color: #7D7C7A;
article image; primary-color: #958274;
article image; primary-color: #595F55;
article image; primary-color: #C2C1BF;
article image; primary-color: #6E5D53;
article image; primary-color: #B1ACA9;
article image; primary-color: #9F8274;
article image; primary-color: #B2AEAB;
article image; primary-color: #E1D08B;
article image; primary-color: #BEBAB7;
article image; primary-color: #948B84;
article image; primary-color: #B8AEA5;
article image; primary-color: #615E57;
article image; primary-color: #BEB4AA;
article image; primary-color: #979C88;
article image; primary-color: #B9B8B6;
article image; primary-color: #515E4D;
article image; primary-color: #A39E9B;
article image; primary-color: #71767A;
article image; primary-color: #B2AAA7;
article image; primary-color: #DB954F;
article image; primary-color: #C1BFC0;
article image; primary-color: #6D8A74;
article image; primary-color: #C2BAB7;
article image; primary-color: #FCFCFC;
article image; primary-color: #ABA3A0;
article image; primary-color: #43485C;
article image; primary-color: #BAB3AD;
article image; primary-color: #4E7197;
article image; primary-color: #A8A8A8;
article image; primary-color: #6D767D;
article image; primary-color: #D1CDCC;
article image; primary-color: #F0EFF4;
article image; primary-color: #B4AFAC;
article image; primary-color: #825655;
article image; primary-color: #B8B3B0;
article image; primary-color: #9C95A5;
article image; primary-color: #BCB8B7;
article image; primary-color: #BA8F5C;
article image; primary-color: #B6B5B3;
article image; primary-color: #42545E;
article image; primary-color: #C3BCB6;
article image; primary-color: #474654;
article image; primary-color: #C2C0C1;
article image; primary-color: #735F54;
article image; primary-color: #B8B4B3;
article image; primary-color: #5D5E63;
article image; primary-color: #ABA198;
article image; primary-color: #EAF5F1;
article image; primary-color: #C2C0C1;
article image; primary-color: #385C80;
article image; primary-color: #C9C8C6;
article image; primary-color: #77645D;
article image; primary-color: #AEA9A5;
article image; primary-color: #332830;
article image; primary-color: #ACA8A7;
article image; primary-color: #826070;
article image; primary-color: #B5B4B2;
article image; primary-color: #DE818C;
article image; primary-color: #B8B8B8;
article image; primary-color: #373739;
article image; primary-color: #ABAAA8;
article image; primary-color: #4E6364;
article image; primary-color: #AFB0AB;
article image; primary-color: #696063;
article image; primary-color: #4D403A;
article image; primary-color: #52718D;
article image; primary-color: #5F5A56;
article image; primary-color: #685F60;
article image; primary-color: #484441;
article image; primary-color: #B9AEAC;
LAND is happy to present the solo exhibition The lights are on but no one’s home by the Catalonia-based artist Andrew Birk. The lights are on but no one’s home features recent watercolor works by Birk presented on nearly every wall in every room of LAND. From the entranceway and main room, to the attic and bathrooms, Birk’s watercolors occupy spaces that were previously inaccessible to visitors, expanding the physical scope of the gallery space within the house. Birk’s small paintings on paper feature loose but controlled brushwork representing a dynamic myriad of subject matter, from a small seemingly glowing fetus in the womb to a lush infinitely deep countryside landscape. Birk’s paintings present compositions that appear at once like slapdash snapshots of personally significant scenes, while others pointedly present legible cultural symbols, creating a threshold of intimacies that are both formally direct and peculiarly clouded.

1.9.19 — 30.9.19

LAND

'ABSINTHE', Group Show Curated by PLAGUE at Smena, Kazan

'Pupila' by Elizabeth Burmann Littin at Two seven two gallery, Toronto

'Auxiliary Lights' by Kai Philip Trausenegger at Bildraum 07, Vienna

'Inferno' by Matthew Tully Dugan at Lomex, New York

'Зamok', Off-Site Group Project at dentistry Dr. Blumkin, Moscow

'Dog, No Leash', Group Show at Spazio Orr, Brescia

'Syllables in Heart' by Thomas Bremerstent at Salgshallen, Oslo

'Out-of-place artifact', Off-Site Project by Artem Briukhov in Birsk Fortress, Bi

'Gardening' by Daniel Drabek at Toni Areal, Zurich

'HALF TRUTHS', Group Show at Hackney Road, E2 8ET, London

'Unknown Unknowns' by Christian Roncea at West End, The Hague

'Thinking About Things That Are Thinking' by Nicolás Lamas at Meessen De Clercq,

‘Funny / Sad’, Group Show by Ian Bruner, Don Elektro & Halo, curated by Rhizome P

'Don’t Die', Group Show at No Gallery, New York

'Almost Begin' by Bronson Smillie at Afternoon Projects, Vancouver

'I'll Carry Your Heart's Gray Wing with a Trembling Hand to My Old Age', Group Sh

'hapy like a fly' by Clément Courgeon at Colette Mariana, Barcelona

'Fear of the Dark' by Jack Evans at Soup, London

Next Page