image text special

‘A touch of magic in this world obsessed with science’ by Amalia Vekri at Fokidos, Athens

article image; primary-color: #B6B2AF;
Exhibition view
article image; primary-color: #C0C0C2;
Exhibition view
article image; primary-color: #CAC6C3;
Exhibition view
article image; primary-color: #C9C8C3;
Exhibition view
article image; primary-color: #DADADC;
Exhibition view
article image; primary-color: #9C99A2;
Amalia Vekri, Selfie with a Purple Flame, 2018
article image; primary-color: #C0BEBF;
Exhibition view
article image; primary-color: #C7C7C7;
Exhibition view
article image; primary-color: #A8A499;
Amalia Vekri, Fortune Teller, 2018
article image; primary-color: #938882;
Amalia Vekri, Siamese, 2018
article image; primary-color: #8A807F;
Amalia Vekri, …and I Watched Everything Melt II, 2018
article image; primary-color: #928781;
Amalia Vekri, The Gate II, 2018
article image; primary-color: #9B8F77;
Amalia Vekri, Snake Charmer, 2018
article image; primary-color: #9F8F7F;
Amalia Vekri, Cooking Up, 2018
article image; primary-color: #897D7F;
Amalia Vekri, …and I Watched Everything Melt I, 2018
article image; primary-color: #ACA69A;
Amalia Vekri, The Gate I, 2018
article image; primary-color: #A2A093;
Amalia Vekri, The Pilgrim, 2018
article image; primary-color: #928F88;
Amalia Vekri, The Mountain, 2018
article image; primary-color: #9A9B8D;
Amalia Vekri, The Hunter, 2018
The woman looked at herself in the mirror. The smoke behind her was dissolving while two bats were sipping on some milk. She stood still staring at her fading image. How she craved to mutate into a watery jelly fish that lives for ever. The risings and settings of her star sign positions were reassuring, promising a good year, full of success and colourful flowers. More signs of good luck had appeared the previous night in her sleep. A man was talking to a python, a fortune teller was offering her a crystal ball, a flying monkey was climbing on a mountain and a young girl was about to enter the gate of light. Hmm so far so good she thought to herself, smelling the purple liquid that was burning her eyes. She was about to have a taste when she felt a hand touching her hair and a soft voice whispered in her ear ‘You perhaps now know that desire reduces us to pulp’. She pulled back her hair and brought the fizzy liquid in her mouth. The taste was better than she expected. 

10.6.18 — 30.6.18

Fokidos

Antoni Hervás at Okela Sormen Lantegia, Bilbao

'La fuite et l’enveloppe' by Maxime Bichon at Treignac Projet, Treignac

'The Man-Servant' by Manuel Cornelius and Georg Thanner at Nails projectroom, Due

'Wrought Bundle' by Garrett Lockhart at Afternoon Projects, Vancouver

'Heavy Middle' by Thomas Moor at Stiftung BINZ39, Zurich

'The Alchemist' by Matyáš Chochola at Gossamer Fog, London

'Ich und mein Modell' by Cosima zu Knyphausen at Stadium, Berlin

'WALLWERK', Group Show at Nir Altman, Munich

'Chagrin de merde' by Angélique Aubrit, Ludovic Beillard, Hugo Dinër at Etablisse

'From Larva to Ghost' by Victor Gogly at Light-harvesting Complex, Vantaa

Transformella (aLifveForm fed and cared for by JP Raether) in Cinis’ Forking [4.4

'Today could be your day', Group Show Curated by Ali A. Maderuelo and Julia Caste

'God Is in the Details', Group Show Curated by Reilly Davidson at Super Dutchess,

'ANGEL' by Kaspar Müller at NICO, Bari

'Barren Oracle, Breath of Cinders' by Urbain Checcaroni & Hanna Umin, Presented b

'The Garden of my hopes' by Olga Krykun feat. Milica Mijajlovic at Zadní dvorek,

Misunderstanding as a tool. Michele Gabriele in conversation with Zoë de Luca

'Sleep No More', Group Show Curated by Fiona Vilmer & Liza Maignan at Placement P

Next Page