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'Always the Real Thing', a Group Show at White Crypt, London

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Laura Porter, Tips, 2015
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Laura Porter, Tips, 2015
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Laura Porter, Tips (detail), 2015
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Laura Porter, Tips (detail), 2015
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Exhibition view
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Laura Porter, Le chouchou des nanas, 2017
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Laura Porter, Le chouchou des nanas (detail), 2017
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Laura Porter, Le chouchou des nanas (detail), 2017
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Laura Porter, Le chouchou des nanas (detail), 2017
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Exhibition view
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Lupo Borgonovo
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Wieske Wester
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Hannah Lees, To it save every twig, 2018
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Hannah Lees, To it save every twig, 2018
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Exhibition view
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Miriam Austin, Andraste 3, 2018
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Miriam Austin, Andraste 3, 2018
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Miriam Austin, Andraste 3, 2018
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Exhibition view
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Miriam Austin, Andraste 3, 2018
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Helen Appel, Pollack, 2017
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Helen Appel, Pollack, 2017
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Miriam Austin, Andraste 3, 2018
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Miriam Austin, Andraste 3, 2018
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Exhibition view

‘‘The church of Chamula offers its visitors no banks. Instead the oor is covered with hay, pine needles, owers and hundreds of thin candles. [...] The smell of resin, incense and paraf n is lingering through the air. Next to the Tzotzil who sit on the oor uttering prayings in their mother-tongue, the visitor is irritated by the presence of three things: running chickens, a reasonable amount of pox, a traditional sugarcane liquor, Coca Cola and a lot of people burping...’’

Testimony of a visitor, Church of Cahmula, Mexico 2016

Looking at a contemporary Mexican ritual in which Coca Cola is offered alongside prayers and sacri ced chickens in order to appeal for the salvation of seriously ill relatives, Always the Real Thing gathers work by six international artists whose practices touch on ideas of tradition and authenticity. In the show, which takes its title from one of the most well- known Coca Cola advertising slogans, the ceremonial use of food is re-contextualised with a humorous twist, and mysticism and popular culture are mixed to produce a combination of the sacred and the profane that collapses past and present through anachronisms of the form and content of belief.

16.3.18 — 14.4.18

Helene Appel, Miriam Austin, Lupo Borgonovo, Hannah Lees, Laura Porter, Wieske Wester

Curated by Caterina Avataneo and Anaïs Lerendu   White Crypt

'ABSINTHE', Group Show Curated by PLAGUE at Smena, Kazan

'Pupila' by Elizabeth Burmann Littin at Two seven two gallery, Toronto

'Auxiliary Lights' by Kai Philip Trausenegger at Bildraum 07, Vienna

'Inferno' by Matthew Tully Dugan at Lomex, New York

'Зamok', Off-Site Group Project at dentistry Dr. Blumkin, Moscow

'Dog, No Leash', Group Show at Spazio Orr, Brescia

'Syllables in Heart' by Thomas Bremerstent at Salgshallen, Oslo

'Out-of-place artifact', Off-Site Project by Artem Briukhov in Birsk Fortress, Bi

'Gardening' by Daniel Drabek at Toni Areal, Zurich

'HALF TRUTHS', Group Show at Hackney Road, E2 8ET, London

'Unknown Unknowns' by Christian Roncea at West End, The Hague

'Thinking About Things That Are Thinking' by Nicolás Lamas at Meessen De Clercq,

‘Funny / Sad’, Group Show by Ian Bruner, Don Elektro & Halo, curated by Rhizome P

'Don’t Die', Group Show at No Gallery, New York

'Almost Begin' by Bronson Smillie at Afternoon Projects, Vancouver

'I'll Carry Your Heart's Gray Wing with a Trembling Hand to My Old Age', Group Sh

'hapy like a fly' by Clément Courgeon at Colette Mariana, Barcelona

'Fear of the Dark' by Jack Evans at Soup, London

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