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'a fairy show II' at Veronica, Seattle

Where ever you are, I will not be. 
A child- to cherish and prey.
A Man- to curse and bless.
Proof of my Life in the form 
of your pleas, lamentations, dreams, and gifts. 
I will not forgive,
I will not listen,
I will not visit, 
I will not return. 


Grift & Glamour 

The Lost-race theory describes fairies as historical colonized subjects. What killed the Spirit and the Native but the betrayal of good will and weaponized metals?
 If Lost-race theory is entirely untrue, it is certainly a compelling device to relate to Life.
 In the days of Biddy Early and Yeats, homes were transformed to accommodate the fair folk- as was the case for many who believed in their respective fae neighbors around the world. A tiny fairy home to "welcome" them might be condescending to any fairy still here in light of precedents. 

To be feared, honored, respected, and treasured. 
To beg for forgiveness.
To lay our dreams and wishes on them.
To hope for their return. 

Perhaps for their return,
We must first learn to live with ourselves. 

12.6.22 — 23.7.22


'CRUSH' by Artem Briukhov at CHIRKOV Gallery, Birsk

'Burn the Rain' by Troy Barrett at Smart Objects, Los Angeles

'KALON GLAZ' by Victoria Palacios at Panamax, Liège

'Bodiesbodies', Group Show Curated by Lucrezia Galeotti and Giacomo Pigliapoco at

'la fiebre de las formas', Group Show at Colette Mariana, Barcelona

'Sunsets', Group Show at Everybody, Tucson

'Bushels of Goodness and Warmth' by Jordan Derrien at V.O Curations, London

'Etica, Tecnica e Pathos' by Marco Strappato at The Gallery Apart, Rome

'200 km/h in the Wrong Lane' by Mona Filleul at SIS123, La Chaux-de-Fonds

'Come Hell or High Water' by Rosario Aninat and Simon Shim Sutcliffe at Mutter, A

'PCS: Post Concrete Semiotics' by Skygolpe at Nighttimestory, Los Angeles

'Wardrobing' by Mitchel Cumming at Disneyland Paris, Perth

'Ouverture', Off-Site Show by Karina Azizova, Moscow-Istanbul-Paris

'Millennium Approaches' by Cole Lu at Nir Altman, Munich

'Momenti della verità' by Giulio Paolini at Galleria Massimo Minini, Brescia

'Dead Mall Nails' by Anastasia Sviridenko and Lukas Malte Hoffmann at Formis, Tam

'scaling winter' by Littlewhitehead at Public Gallery, London

There’s the limitation where all marks must be permanent. Michael Bussell in con

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